Showing posts with label Aly Morrison. Show all posts
Showing posts with label Aly Morrison. Show all posts

Tuesday, October 30, 2018

Talisman: The Orc

Got another orc done for Orctober.

Talisman Orc



I painted him in the bright style of my other Talisman figures, with bright yellow-green flesh and yellow gold. A shield from the nineties plastic orc boyz kit matched the illustration perfectly. At first I wasn't crazy with the shield design I chose or the execution, but I guess it's fine.I tried to match the fur of the illustration closely with mauve and light gray, and like the result.

Saturday, October 20, 2018

Talisman: Rogue, Hobgoblin and Troll

My Talisman project continues to coast along at an easy pace. In addition to what I show here I've got three more almost ready to show after these, just finished cleaning and basing another seven, and I just won a lot on ebay that completed my Timescape set, which will likely follow in 2019. Today, though, you get the Rogue, Hobgoblin and Troll.

The Rogue

Talisman Rogue
Talisman Rogue Illustration

The rogue here is one of my favorites. The illustrated figure has a malign, liquor-infused expression, enhanced by the shadowy rendering and mangy head. The miniature is one of the most faithful to the art.

An obvious personal touch I made was to add hair and beard made from static grass. I took a risk and did this with super glue and tweezers. Would not have been hard to go overboard or slip and get glue where it didn't belong.

I happy with the rendering of the browns, which were built up with scratchy, transparent highlights, dotted with black show wear and lend the pen-and-ink quality, and washed and glazed to bring the right saturation. Love me some Windsor & Newton inks, especially Peat Brown and Sunshine Yellow. Also, glazes made from the classic GW Snakebite Leather.

The Hobgoblin

Talisman Hobgoblin
Talisman Hobgoblin Illustration

The hobgoblin is another favorite illustration of mine, coming at you like an enraged muppet. I like the green and orange palette the texture in the green.

Everything is just right about the miniature, except the face, while fine in its own right, is a significant departure. I resisted the urge to re-sculpt it.

Top objectives in the painting were to get the texture of the green cloth and brown pteruges right, the horns right, the sunny orange skin color right, and add a touch of interest with a a gloss coat on the black of the helmet.

The Troll

Talisman Troll
Talisman Troll Illustration

The illustration of the troll shows a hunched, hulking creature with a huge club that has survived many a beat-down, while the figure has more of a lanky quality, and the club is a tree branch with the bark still on it, so comes off as an improvised weapon. I accepted the difference in body-shape but took action on the club. A good club is made of heartwood. I drilled the end and put a wire sticking out of it, and then enlarged the club with green stuff and worked in many knobs.

The rocks are ceramic. Long ago I had access to a kiln, and made these rocks by rolling out a sheet of bisk with a rolling pin, breaking it up when dried, before firing.

Many green paint and ink pots were opened by the time I was done, and not a few yellows. A little black lining under the warts was a good move on my part.

Saturday, March 10, 2018

Talisman Druid, Pilgrim and Scout

How about the Druid, Pilgrim and Scout for today's Talisman post.

Talisman Pilgrim
Talisman Pilgrim
Talisman Pilgrim
Talisman Pilgrim

In western Europe in the middle ages it was common for people of all stripes to make pilgrimages at certain points in the their lives or others, and we can imagine it to be similar in the Talisman setting. The Talisman Pilgrim, though, seems to have made it his calling, and there's a more specific term for these individuals: palmer.

I'm reading Edmund Spencer's The Fairie Queene and the palmer character therein is the perfect inspiration for roleplaying this particular figure.He follows a knight called Sir Guyon, and takes it upon himself to guide him on the path of temperance and away from such perils as a group of flirtatious nymphs seeking bathing companions.

In short, wonderful, clear inspiration to bring this miniature to life in games (as a follower, rather than PC)! I can see the GM of my Talisman-inspired games providing the same sort of incessant moral guidance, perhaps in the service of some Monty-Python-esque burlesque.

In terms of painting the painting, we are looking at a limited palette of off-white, brown, gray and flesh. The main base color is P3 Trollblood Highlight, a favorite light neutral of mine. I washed it with faint wine-brown made with P3 Sanquine Base before highlighting up to white.

I don't like how his sign turned out. It's supposed to be a piece of cloth or paper stuck to his staff and depicting a black heard. But the size of the nail leaves a cramped space for the heart beneath, which is made worse by a little notch on the bottom of the sign. In hindsight I should have sliced away the nail and puttied over the notch at the bottom, and maybe even enlarged the sign a bit, then added the nail back much smaller at the top. As it is, it looks almost as much like a fuzzily-rendered spade symbol. Maybe I'll fix it.


Talisman Druid
Talisman Druid
Talisman Druid
Talisman Druid

On to the Druid. Here's a character I've always felt a kinship with. The key to the scheme is the periwinkle  robes, and this is set off by the blue sleeves, red belt, and green mistletoe. Thankfully I have the perfect periwinkle, Vallejo Shadow Grey. This is equivalent to the old Citadel Shadow Gray now made by Coat'd'arms and called Shadow Grey there too. The highlights are warm. I can't remember exactly, but they may be flesh tones.

When it came to painting a white beard, I looked at reference pics as a I usually do and noted in photographs a white beard shows almost no definition or shadows. A white beard is generally brilliantly white. Journeyman painters will often apply the same degree of shadow, mid-tones and highlights to each thing on a figure, and in my view this is a trap that painters will have to grow out of to achieve the next rungs of our craft. Understanding the reflective properties of the different materials one is trying to depict is one of the cornerstones of mastery. To get the beard right here didn't take careful shading, it just took conviction and five extra coats of pure white.

Talisman Scout
Talisman Scout
Talisman Scout
Talisman Scout

The scout was a quick one. I think an old GW Dark Angels Green and P3 Ordic Olive were two main greens I used, among several others. Photo reference is a must for me when I paint feathers.

Thursday, February 8, 2018

Talisman Halfling, Satyr and Witch Doctor

Three more of Aly Morrison's Talisman figures.

Talisman Halfling:
Talisman Halfling

Talisman Halfling

Talisman Halfling

Talisman Halfling

Not much to say on the halfling.

Talisman Satyr

Talisman Satyr

Talisman Satyr

The Satyr here is a nice figure although I think there could have been a way to capture in the sculpting some of the dancing skip motion of the illustration, with the pipe lifted at an angle. I chose a more sunny complexion as the paleness of the illustration didn't make sense to me for a creature of nature.

Talisman Witch Doctor:
Talisman Satyr

Talisman Witch Doctor

Talisman Witch Doctor

Talisman Witch Doctor

I had a lot of fun painting the Witch Doctor and am pleased with how he turned out. I made one small change to the sculpt and added the ends of the knot that ties his cloak around his neck. It makes sense why they were left off as they would have been problematic or impossible to cast on a one-piece figure. I had one shot at getting the facepaint stripes right and saved that step for the first step on a an evening I was still feeling sharp after work. Did several practice strokes holding the figure at different angles to make sure the stripes either side would follow the forms of the figure and be symmetrical. I think I got it. Also worked to achieve an overall brightness or glow, emphasized by the yellow gold, yellow suede of inside of the cloak, and yellow bone. Have an old and trusty pot of Citadel Spearstaff Brown which makes a good base for yellow, and W&N Sunshine Yellow ink to make it pop.

Monday, January 29, 2018

WIP Talisman and Friends-of-Talisman Minis

Here's a view into the painting process for my Talisman figures, and preview of some to come. Although I have enough Talisman figures to keep me busy for awhile, I couldn't help but adding some other figures to the Talisman family, as some just call to me as being the same kind of archetype.

Talisman WIP: Front row L-R: Itenerant Scholar, Witch Doctor, Sorceress, Pilgrim, Barbarian; Middle row: Sea Captain, Halfling, Ninja, Falconer, Saytr; Back row: Sprite, Dwarf, Gladiator, Rogue
Sprite, Swashbuckler, Witch Doctor, Druid
Thief, Ghoul, Dwarf, Scout
Archeologist, Alt Elf, Gipsy, Prophetess, Footpad or Alt Assassin

 The Priest, by Aly Morrison, with embellished hat
The Amazon, by Aly Morrisson

The Spy, by Aly Morrison, telescope replaced with aluminum tube
The Itinerant Barber/Scholar, by Aly Morrison, Citadel Miniatures Fighters range

Falconer, by Aly Morrison, Marauder Miniatures, either a Noble or a follower who competes for his lord or lady

Alt Assassin, by Aly Morrison, though I think I will call him the Footpad

 The Hunter, by Alan or Michael Perry, Citadel Miniatures, one of my favorite figures


 
The Sea Captain, by Michael Immig, Metal Magic



The Warlock, by Bob Murch, RAFM


The Landsknecht, by Werner Klocke, Das Scharze Auge


Size comparison showing Citadel fighter, Metal Magic Watchman by Michael Immig, Das Schwartze Auge Landsknecht, Foundry Perry Landschnecht